Overview
My work explores the dynamic between two and three dimensions, the made and the yet to be made. Drawing is a key element of my practice that, at various times, has been visible by its presence as much as by its absence. Encompassing both studio and curatorial activity I explore my interest in the production of art and the site(s) of its production and exhibition, exhibiting in and curating one person and group exhibitions in this country and abroad. 

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                                                   Drawn Through the Archive

For over a decade, my studio archive—sketchbooks, drawings and sculptures—has been the lens through which I make new work. I liken this focused autobiographical practice to writing a memoir, treating the works themselves as ‘texts. This approach gives me space to reflect on earlier work and reconsider it in the context of where I am now. By revising and editing these ‘texts’, I continue to make new work, with drawing driving the process.

 

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